NAPOLEON Orig. Sound Track CARMINE COPPOLA LP NM/NM 1981

$ 4.22

Release Title: NAPOLEON Orig. Sound Track Country of Origin: United States Number of Audio Channels: Stereo Artist: CARMINE COPPOLA Record Label: CBS – FM 37230 Material: Vinyl Speed: 33RPM Record Size: 12" Format: Record Type: LP Catalog Number: CBS – FM 37230 Release Year: 1981 Sleeve Grading: Near Mint (NM or M-) Style: Film Score/Soundtrack Genre: Soundtracks & Musicals Record Grading: Near Mint (NM or M-)

Description

NAPOLEON Orig. Sound Track CARMINE COPPOLA LP NM/NM 1981. Flutist and film score composer Carmine Coppola studied flute and composition at Juilliard and later at the Manhattan School of Music. Carmine Coppola – Napoleon. Carmine Coppola - Napoleon album cover. Carmine Coppola Biography by Sandra Brennan Flutist and film score composer Carmine Coppola studied flute and composition at Juilliard and later at the Manhattan School of Music. For a long time Coppola worked under Arturo Toscanini and his NBC Symphony Orchestra. Later he went on to score several films for his son, legendary filmmaker Francis Ford Coppola, including Apocalypse Now (1979) and The Godfather, Part III (1990). Carmine Coppola – Napoleon Carmine Coppola - Napoleon album cover More images Label: CBS – FM 37230, CBS – 37230 Format: Vinyl, LP, Album, Stereo Country: US Released: 1981 Genre: Stage & Screen Style: Soundtrack A1 Napoleon's March 2:03 A2 Officers Waiting And Love Theme 3:51 A3 Snow Fight 4:00 A4 Fort Carré Prison 3:40 A5 Pozzo Theme (Enemy Theme) 2:43 A6 Cafe Scene (General Carteaux) 4:31 A7 Exit Music 2:28 B1 Carriage Ride And Love Theme 2:28 B2 Family Theme 2:40 B3 The Wedding 4:23 B4 Les Victimes Ball 4:46 B5 Victorious In Italy And Finale 6:04 Phonographic Copyright ℗ – CBS Inc. Copyright © – CBS Inc. Copyright © – Zoetrope Studios Manufactured By – CBS Records Manufactured By – CBS Inc. Pressed By – Columbia Records Pressing Plant, Pitman Recorded At – Regson Studio Mixed At – CBS Studios, New York Mastered At – Columbia Recording Studios Mastered At – CBS Studios, New York Mastered At – Customatrix Composed By, Conductor – Carmine Coppola Engineer [Assistant Engineer] – Alfredo di Muro Engineer [Re-Mix Engineer] – Don Puluse Engineer [Recording Engineer] – Paolo Bocchi Liner Notes – Abel Gance, Francis Ford Coppola Mastered By – Joe Gastwirt Orchestra – Milan Philharmonic Orchestra* Painting [Cover Painting] – Alex Tavoularis Presenter – Francis Ford Coppola Producer – Carmine Coppola, Mike Berniker Carmine Coppola's Original Music For The Soundtrack Of Abel Gance's 1927 Film Masterpiece Gatefold cover. This is a Columbia Records Pressing Plant, Pitman pressing as indicated by the stamped P in runouts. Recorded in Regson Studios, Milan, Italy, June 5-11, 1981 Mixed at CBS Recording Studios, New York Mastered at CBS Recording Studios, New York, on the CBS DisComputer™ System Special thanks to Joe Dash, Bob Perlstein, Erwin Veg and our many friends at CBS Dischi, Italy. A6. "General Durgomier" appears on jacket; "Cafe Scene (General Carteaux)" appears on label. GOLDMINE GRADING MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect. NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly. VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors. VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc. GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork. POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.